பாலு மஹேந்திராவின் கதை நேரம்
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BALUMAHENDARAVIN KATHEINERAM
5,236 views•Mar 9, 2020
ALL TAKE OK
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Mahendra was equally praised for his cinematography and directorial
finesse.[9] Described by the media as "one of the finest cinematographers
of Indian cinema",[55][70] he was among the first to pioneer innovative
colour in South India. Subrata Mitra, Satyajit Ray's cinematographer, presented
a viewfinder to Mahendra acknowledging his talent.[9] Fellow cinematographer
Madhu Ambat described that it was Mahendra who gave "fame" to those
cameramen who came out of the FTII, and further noted that he was one of the
few film-makers who effectively used romantic realism.[71] Lauded for usage of
"natural lighting",[9][72] Mahendra was considered as "one of
the few filmmakers in Tamil who believes in telling a story visually".[73]
Kamal Haasan described that he was one of the few directors who balanced
between art and popular cinema.[74] As a film-maker, he inspired contemporary
actors and film-makers such as Mani Ratnam, Kamal Haasan and Sripriya,[75] He
has mentored next generation film-makers including Bala, Ameer, Vetrimaaran,
Ram and Seenu Ramasamy.[9] Cinematographers like Santosh Sivan,[76] Ravi K.
Chandran,[77] Natarajan Subramaniam and K. V. Anand have taken inspirations
from him.[78] The negatives of his acclaimed films—Moodu Pani,[79] Veedu,
Sandhya Raagam, Marupadiyum and Sathi Leelavathi—are lost.[72]
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